Gabriel Orozco
Xalapa, Mexico, 1962
His concern for the object and space has characterised many of his most emblematic pieces. In his works he uses photo formats interchangeably, including computer treatment, with sculptural, installation, action or drawing, and more recently, painting. Skillfully using opposites and the perception of the dual nature of things are constant concerns in his work: the human and the mechanical, discoveries and manufactured items, nature and environmental impact, geometry and random, death and the concept of infinity.
